D'Aulaire's Book of Norse Myths - Ingri d'Aulaire 多莱尔北欧神话 电子书cbz
D'Aulaire's Book of Norse Myths - Ingri d'Aulaire 多莱尔北欧神话 电子书cbzProduct details
Age Range: 5 - 9 years
Grade Level: Kindergarten - 4
Series: New York Review Children's Collection
Hardcover: 160 pages
Publisher: NYR Children's Collection; Main edition (July 10, 2005)
Language: English
ISBN-10: 159017125X
ISBN-13: 978-1590171257
北欧神话(多莱尔作品)(精) 精装 – 2017年2月1日
英格丽·多莱尔 (作者), 埃德加·佩林·多莱尔 (作者), 李剑敏 (译者)
https://www.amazon.cn/gp/product/B071YC2X91
英格丽·多莱尔、埃德加·佩林·多莱尔著绘的《北欧神话》是一本从美国引进的图画书。作品用美妙的插图向小读者介绍了北欧神话，讲述了众神之父奥丁、雷神托尔锤子的丢失、邪神洛基、诸神黄昏的故事，并让孩子见到了布拉吉——诗歌和音乐之神，还有著名奥丁神的婢女瓦尔基里，以及其他众神。这是一部比较特别的北欧神话故事，全文采用散文性语言，并配有黑白和四色插图。
编辑推荐
最早的诸神和巨人、洛基的丑幼崽、瓦尔基里和瓦尔哈拉、弗雷娅的奇妙项链、索尔和巨人盖尔罗德、巴尔德之死、美丽新世界……英格丽·多莱尔、埃德加·佩林·多莱尔著绘的这本《北欧神话》用一种浅近直白、毫不夸张、魔幻现实主义的文风呈现北欧神话传说。
作者简介
作者:(美)英格丽·多莱尔 作者:埃德加·佩林·多莱尔 译者:李剑敏
英格丽·莫滕松和埃德加·佩林·多莱尔于1921年在慕尼黑的艺术学校相识。埃德加的父亲是意大利有名的人像画家，母亲是巴黎人。英格丽，维京海盗王的后裔，家里五个孩子中最小的一个。
两人在挪威成婚，之后搬到巴黎，再移民美国。英格丽到了美国后，开始画人像、组织大大小小的聚会。有一次，纽约公共图书馆少年部的馆长参加了晚宴，她问道，你们为什么不为小孩子创作图画书呢？
1931年，多莱尔夫妇出版了他们的第一本图画书。此后三部作品的灵感都源自英格丽童年时期就非常熟悉的北欧民间传说。随即他们将卓越的创造力转向美国的历史。一系列关于美国英雄的精美图画书出炉，其中《亚伯拉罕·林肯》为多莱尔夫妇赢得了凯迪克图画书金奖。最终，他们将创作领域转向了神话。
多莱尔夫妇相互协作，联合创作图画书的图和文字。起初，他们采用石板印刷术创作插画。每幅四色插画需要四块巴伐利亚大理石石板，这种原始笨拙的技法能够最好地保全他们手绘作品的活力。不过到了20世纪60年代，此技法靡费颇大，多莱尔夫妇转而采用醋酸胶片，所获效果与石板印刷术大致相当。
在将近五十年的创作生涯中，多莱尔夫妇以其对儿童文学的卓越贡献而大获赞誉。1980年，在75岁高龄的英格丽即将辞世之前，他们还在从事新图画书的创作。此后埃德加一人挑起担子，继续创作，直至1985年去世，时年86岁。埃德加·佩林·多莱尔和英格丽·莫滕松于1921年在慕尼黑的艺术学校相识。埃德加的父亲是意大利有名的人像画家，母亲是巴黎人。英格丽，维京海盗王的后裔，家里五个孩子中最小的一个。
两人在挪威成婚，之后搬到巴黎，再移民美国。英格丽到了美国后，开始画人像、组织大大小小的聚会。有一次，纽约公共图书馆少年部的馆长参加了晚宴，她问道，你们为什么不为小孩子创作图画书呢？
1931年，多莱尔夫妇出版了他们的第一本图画书。此后三部作品的灵感都源自英格丽童年时期就非常熟悉的北欧民间传说。随即他们将卓越的创造力转向美国的历史。一系列关于美国英雄的精美图画书出炉，其中《亚伯拉罕。林肯》为多莱尔夫妇赢得了凯迪克图画书金奖。最终，他们将创作领域转向了神话。
多莱尔夫妇相互协作，联合创作图画书的图和文字。起初，他们采用石板印刷术创作插画。每幅四色插画需要四块巴伐利亚大理石石板，这种原始笨拙的技法能够最好地保全他们手绘作品的活力。不过到了20世纪60年代，此技法靡费颇大，多莱尔夫妇转而采用醋酸胶片，所获效果与石板印刷术大致相当。
在将近五十年的创作生涯中，多莱尔夫妇以其对儿童文学的卓越贡献而大获赞誉。1980年，在75岁高龄的英格丽即将辞世之前，他们还在从事新图画书的创作。此后埃德加一人挑起担子，继续创作，直至1985年去世，时年86岁。
D'Aulaires' Book of Norse Myths Hardcover – May 31, 2005
by Ingri d'Aulaire (Author), Edgar Parin d'Aulaire (Author), Michael Chabon (Preface)
https://www.amazon.com/DAulaires-Norse-Myths-Ingri-dAulaire/dp/159017125X
Product details
Age Range: 5 - 9 years
Grade Level: Kindergarten - 4
Series: New York Review Children's Collection
Hardcover: 160 pages
Publisher: NYR Children's Collection; Main edition (July 10, 2005)
Language: English
ISBN-10: 159017125X
ISBN-13: 978-1590171257
The Caldecott medal-winning d'Aulaires once again captivate their young audience with this beautifully illustrated introduction to Norse legends, telling stories of Odin the All-father, Thor the Thunder-god and the theft of his hammer, Loki the mischievous god of the Jotun Race, and Ragnarokk, the destiny of the gods. Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.
Editorial Reviews
Review
"…a mythological tour de force."
— The New York Times
"Out of print for many years, Norse Gods and Giants has been very handsomely reissued by the The New York Review Children’s Collection and retitled D’Aulaire’s Book of Norse Myths. Featuring a sturdy sewn binding, the book arguably represents the pinnacle of the d’Aulaires’ achievement as storytellers and artists….the prose seems livelier and more robust in the Norse myths than in the Greek…Their retelling of the Greek myths for children had to pull its punches somewhat….but since sex doesn't feature as prominently in Norse mythology, this book is able to stay scrupulously faithful to the Edda and still maintain its PG rating. But not to worry: there’s still a lot of drinking, fighting and bad behavior, particularly on the part of fiery Thor, who is forever whacking frost giants on the head with his hammer, and the highly entertaining Loki, who is one of the most complicated and devious characters in anybody’s mythology, anywhere. Loki is the Bart Simpson of Norse mythology, forever pulling pranks, forever getting caught and forever talking his way out of the consequences…"
— The New York Times Book Review
" works, especially the books of Norse and Greek myths, were and remain crucial to me, and now to my own children. The interest in mythology that was kindled by those two books has endured throughout my life, and has directly influenced my own writing in countless ways…The Norse book was always my favorite, though. I must have read it a dozen times at least by the time I was nine or ten."
— Michael Chabon
About the Author
Ingri Mortenson and Edgar Parin d’Aulaire met at art school in Munich in 1921. Edgar’s father was a noted Italian portrait painter, his mother a Parisian. Ingri, the youngest of five children, traced her lineage back to the Viking kings.
The couple married in Norway, then moved to Paris. As Bohemian artists, they often talked about emigrating to America. “The enormous continent with all its possibilities and grandeur caught our imagination,” Edgar later recalled.
A small payment from a bus accident provided the means. Edgar sailed alone to New York where he earned enough by illustrating books to buy passage for his wife. Once there, Ingri painted portraits and hosted modest dinner parties. The head librarian of the New York Public Library’s juvenile department attended one of those. Why, she asked, didn’t they create picture books for children?
The d’Aulaires published their first children’s book in 1931. Next came three books steeped in the Scandinavian folklore of Ingri’s childhood. Then the couple turned their talents to the history of their new country. The result was a series of beautifully illustrated books about American heroes, one of which, Abraham Lincoln, won the d’Aulaires the American Library Association’s Caldecott Medal. Finally they turned to the realm of myths.
The d’Aulaires worked as a team on both art and text throughout their joint career. Originally, they used stone lithography for their illustrations. A single four-color illustration required four slabs of Bavarian limestone that weighed up to two hundred pounds apiece. The technique gave their illustrations an uncanny hand-drawn vibrancy. When, in the early 1960s, this process became too expensive, the d’Aulaires switched to acetate sheets which closely approximated the texture of lithographic stone.
In their nearly five-decade career, the d’Aulaires received high critical acclaim for their distinguished contributions to children’s literature. They were working on a new book when Ingri died in 1980 at the age of seventy-five. Edgar continued working until he died in 1985 at the age of eighty-six.
Michael Chabon is the author of several books, including The Mysteries of Pittsburgh, Wonder Boys, The Amazing Adventures of Cavalier and Klay, The Yiddish Policeman’s Union, Manhood for Amateurs: The Pleasures and Regrets of a Husband, Father, and Son and, most recently, Telegraph Avenue.
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